It’s always been a mystery to me why just getting started on a new writing project is almost always the hardest part. Not so much when you’re starting on a new manuscript but mostly when it comes to revisions — at least for me. Sitting on my desk is the full manuscript of the book that took third place in the Harlequin American contest. I’ve already gone through one set of revisions for them, and now I’m facing a second. I want to do them. I’m just having a tough time figuring out how to get started. You see, I’m more of a concrete details person, and the ideas I have for the revisions are vague. Me no likey the vague. I know what needs to be done, but I’m having difficulty figuring out how to do it.
Yesterday, I wrote all the editor’s comments on my hard copy and I let them percolate for the rest of the day. In fact, they were zipping through my head as I went to sleep last night. I guess the only thing I can do now is just dive in, start cutting a lot of the suspense elements that don’t tend to appeal to Harlequin American readers. When I’m done cutting, I’ll figure out how to put different romantic story elements back in so that the manuscript isn’t just a destroyed mess. I can’t think of the big, overall picture. It’s too overwhelming. I’ll have to take it a scene at a time.
If you’re a writer, how do you approach substantial revisions?



















